I’ve spent the last several months writing a work-for-hire novel set in someone else’s universe. When this project was first discussed, I thought it would be very difficult to work within those constraints. But I’m finding that it is really liberating in some ways.
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When I have no constraints at all and I can write anything I want, it can be hard to focus, or even to get started. So if I am not sure how to proceed, I should just start moving instead of waiting for the perfect book to be arranged neatly in my mind. Just start typing. Take that leap of faith. That’s a lesson I’ve been learning a lot lately.
One reason this works is that when I start to write, I create fixed points of reference. And having even one fixed point is a great help– even if that one fixed point is kind of ridiculous, figuring out how that fits, and what it means for the rest of the world will help to build the story. This is one of the points made in recent podcast about moving from “the ridiculous to the sublime.” Don’t be afraid of starting with ridiculous elements, they say. Treat them seriously and see what happens.
So, I’m going to take that challenge, embrace the silliness, and try to write a story about an angsty teenage lichen-thrope. Huh. Any ideas?