I Say Hello

With the first 50 pages of my most recent project being right now in the hands of a publisher, I have been thinking a lot about beginnings.  In particular, I wish I had spent more time revising the opening page, opening paragraph, opening line of those first 50 pages.  I want my writing to hook that publisher from the very start, and I don’t know if I pulled it off.

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So I’ve been very interested by a couple of recent podcasts over at Writing Snippets, in which the hostesses consider the beginnings of successful young adult novels, both classic and contemporary.  They argue, and I agree, that the contemporary novels work harder on hooking the reader from the very first sentence.  Although I really like the way the classic stories begin.  To me, they seem less gimmicky.  Their hook is just great prose.  People keep turning pages because these books are just a pleasure to read.

I’ve long thought that this is the hook that I want to use.  I don’t want to resort to cheap tricks.  But if I turn a critical eye on my own work, I can see that I don’t really grab the reader’s attention until they’re five or ten pages in.  And I can’t count on my readers hanging around that long.  They have lots of other books to choose from, and I can’t blame them for picking one that has an arresting first line / paragraph / page.
I need to stop viewing awesome openings as illusions designed to fool the reader into buying an inferior good.  Maybe that’s how it is for some authors, just like how pick-up lines and first dates are for some people.  But for me, I should think of my first line / paragraph / page as a way to communicate to readers that I am willing to put in the time and effort to really polish my work and make it fun for them to read.   Instead of a deception, it’s a promise that that the rest of the book will be this good.  And in a way, I’m setting the bar for myself before I jump into the rest of the book.  And I want to set that bar high.
With all that in mind, here’s an opening paragraph which I wrote as a joke.  And now my goal is to write a short story, beginning with this hook:
“You, the reader, reading this right now, are in terrible danger and only this book can save you. If you don’t read it, you will be killed by a gang of Nazi biker mummies with machine guns. But if you do read it, you will be a famous TV millionaire and everyone will love you. And you will win the Olympics.”
I’ll keep you posted!

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